15 June 2014

Fathers, Sons, and Wars


Lately, I have been thinking a lot about fathers and sons. Recent events, of both private and public varieties, have prompted fresh thoughts about this primordial dynamic. Becoming a parent has a way of re-tuning the mind to see familiar concepts in a new light. Watching my “Darling English Boy” evolve into a “Darling English Dad” has given me a renewed respect for fathers and fatherhood.

Just before the arrival our son, Miles, I became obsessed with family history. I was intrigued to find that my husband descends from an exclusively male lineage on his father’s side. His paternal history, like that every Englishman, is a rich tale of fathers, sons, and wars.

In May 1916, my husband’s grandfather, Russell, enlisted in the Army and joined the British effort in “The Great War”. He was but 19 years of age. Yet, the sure and steady longhand and precise signatures that appear on his enlistment form suggest maturity beyond his tender years.

British Legion 'Poppy Field' in Henley-in-Arden
He gave particular care and attention to the signing of his ‘Oath of Allegiance’. The “t” is most carefully crossed, both “i’s” firmly dotted, and a plump full stop appears definitively to the rear of the concluding character. The document exudes sincerity, duty and pride. Russell was a brave soul, amongst a host of similarly valiant youth that answered the call of King and Country. However, unlike the multitude of his fellow brothers-in-arms, Russell was one of the lucky ones that survived. As Shakespeare puts so well, “This story shall the good man teach his son” (Henry V, 4.3.56).

Shakespeare, of course, knew a thing or two about fathers, sons, and wars. His works are a vast reservoir of engaging stories on this theme. His history plays, in particular, are built upon this foundational concept. Most notably, in Henry the Sixth, part 3, Shakespeare underscores the maddening nature of war through his invention of two tragic and un-named characters, referred to merely as: “A Father who has killed his son” and “A Son who has killed his father.” Time and again, Shakespeare shows us the human cost of national conflicts, and the familial relationships behind the power play.

Recently, I had the good fortune to see Greg Doran’s excellent production of Henry IV, parts 1 and 2 at the RSC. At the heart of this narrative exists the triadic relationship of King Henry, Prince Hal and Falstaff. Troubled son, Hal, turns his back on his duty and his sovereign, by displacing his regal father in favour of a low life surrogate in the figure of Falstaff. In performance this complex choice is played with great, rollicking humour and touching pathos by Jasper Britton (Bolingbroke/King Henry) and Alex Hassell (Prince Hal), with Sir Antony Sher stealing the show as the roly-poly, custardy coward, Falstaff.

Alongside the engaging performances, Doran’s direction is crystal clear, making the grand narrative easy to follow. It was, in very deed, child’s play. I was seated next to a little chap called Gregor Bulmer, aged 8, who was at the theatre with his dad. They huddled together during the ferocious battle scenes, and the young lad was enrapt by the performances from start to finish. As the lights came up, Gregor gave his assessment: “Epic.” I asked if he understood it all, he smiled and said he had.


The epic tales of fathers, sons, and wars will always captivate us and command our attention and respect. And so they should, as we should never forget.  

23 April 2014

Happy Birthday, Mr Shakespeare!


The title of my popular, New York University undergraduate seminar, “American Shakespeare”, always raised a few eyebrows. “It’s a survey of Shakespeare in America,” I once explained to a stuffy, Oxbridge colleague. “But,” he sniffed, “Shakespeare was never in America.” “Indeed,” I replied heartily, “but he is very much with us now.”

My seminar examined what Emerson termed the “Shakespearization” of America. I had no idea where this exploration might lead. And, certainly never imagined I would find myself re-discovering Shakespeare in a tiny, fishing village in southern Alaska.

That excursion began with a dare. One day, I sauntered into class with a topic I knew my students would be keen to devour. I’d found details of a production of Othello in Alaska. The play had been adapted into a 19th century, Alaskan context. Othello became a Native Alaskan, instead of a Moor. The goal of this touring show was to facilitate dialogue between Native and non-Native communities.

Can, or should, Shakespeare be used in this way? My students, as always, were hotly divided between the purists and the progressives. Reaching a fevered pitch, they demanded I settle the debate: “Dr. Smith-Howard, you must go there and find out.” They dared, and, off I went.
I wrote the theatre company and asked if I could observe their work. Next thing I knew, I was flying over the Rocky Mountains, to the vast, wild, least populated, and most breathtaking state in the American union.

The experience that followed was an incredibly powerful one, and one that underscores for me the discernable differences in what Shakespeare means today. One facet of Shakespeare’s inheritance is that he has become a trusted brand. His name, image and words are used to market and sell a staggering array of goods around the globe, from the Shakespeare Coffee Company (Bidford-on-Avon), “Hamlet” Cigars, and Austin motor-cars (“Travel…as you like it.”) in Britain, to mentholated cough syrup in Brazil (“To Coff, or not to coff, that is the question”).

In contrast is the esteem in which Shakespeare is held in America, where he is perceived as a touchstone, a symbol of artistry and wisdom. Americans seem to have accepted as gospel the 19th century, British notion of Shakespeare’s secular godship. Joseph Papp, America’s foremost theatre director, put it best:

Why do so many people get hooked on Shakespeare and develop a habit that lasts a lifetime? What can he really say to us today, in a world filled with inventions and problems he could never have imagined? Because, Shakespeare is showing you human nature. Shakespeare has enriched my understanding of life immeasurably. I hope you’ll let him do the same for you.”  (Shakespeare Alive!, 1988)
Like Papp, I, too, have experienced the transformative power of Shakespeare in people’s lives: from disadvantaged teens in NYC to Native American elders in rural Alaska. I have witnessed Shakespeare’s words empowering the voiceless; and being the common language differing cultures previously lacked. I have seen his texts creating a common ground, a campfire around which a divided community could gather. For me, this is his greatest and most enduring legacy. 

Happy Birthday, Mr. Shakespeare, wherever you are!





18 March 2014

My new DEB - Darling English Baby!

"O, brave new world, that has such creatures in it!" - The Tempest


Miles Jude Willoughby
born 16 January 2014

17 March 2014

On the Road with “The Writing Process Blog Tour”


Friends,

Apologies for the extended absence - and a huge, huge, huge THANK YOU to Jenefer Heap for nudging me back into the Blogsphere.

My life has been a whirlwind recently, and blogging, although firmly ensconced on the “To Do” list, never quite made it to the top of the page. Taking part in the “Blogging Tour” has however re-ignited the flame!

Each writer in the Blogging Tour is invited to answer the same four questions about their writing, thus forming a new link in a long and winding virtual chain. I’m one of three writers taking the baton from Jenny (she writes a great blog, check it out: Jenefer Heap ). 
The three witty and engaging writers I’ve chosen to follow me next week are: Caroline BarrHarriet Hamilton and The Girl Behind The Wall. I love their work, and I’m sure you will, too! Read more about them at the end of the blog.
 And, so. Placing myself into the ‘hot seat’…

Question 1: What am I working on?

1.) At the moment, I am focused on two main projects (well, three, if I can count our 2 month old baby as a project!):

a.)           I’ve blissfully landed a commission for a book to commemorate the major Shakespeare anniversary in 2016. (He died in 1616.) For this, I shall be collaborating with a major UK arts organisation, and we are currently pursuing funding and support. (Would be benefactors welcome!) 
            
            I’m utterly delighted to have the opportunity and hope that the book will bridge both scholarly and popular interest in Shakespeare and his legacy. I’m loathed to provide more specific details about it here for fear of jinxing things (!), as we are still hashing through details, contracts, etc. Suffice to say, the project is very “me”, i.e.,  embracing a range topics under one big, glorious Shakespeare umbrella! I’m still in the honeymoon phase, but the panic of actually having to produce something quite substantial by January 2015 is looming large on the horizon…

b.)           For the past 4 years, I have had a regular, featured column in a glossy, monthly magazine. Sadly, the magazine folded (not due to my column, I hasten to add!) and now, after several weary months of crying into my beer, and feeling sorry for myself, I’m in the process of trying to re-establish myself as a columnist-in-print. (Short of standing on the side of the road with a sign that reads: “Will Write for Food.”)

2) How does my work differ from others of its genre?

I think what makes me different both as a scholarly writer and a popular writer is the quirky way in which I don’t divide the two. For better or for worse, I approach all of my work in the same way. I try to write with heart, tenacity, verve, humour, and knowledge.

In terms of my scholarly work – I’m the author of three works of scholarly non-fiction: 

 




With each of these works my goal was to tell a complex story simply. To be accessible and entertaining, whilst also being true to the subject. The same is true of my work as a columnist and op-ed writer.

Undoubtedly, the most unique feature of my writing is the way in which Shakespeare quite honestly informs everything I do. I see the world through a Shakespearean lens. That, I suppose, is my “twist”.

Recently, I collaborated with Chef and culinary historian, Alan Deegan on a Shakespeare cookbook!



Question 3: Why do I write what I do?

“Words, words, words.” - Hamlet

When Shakespeare isn’t looking, I allow myself to canoodle with a few other authors, notably Chekhov. In his play, The Seagull, in which he is channeling Shakespeare (!), Chekhov depicts one of the most beautiful and infuriating representations of a writer in the character, Trigorin.

Trigorin is passionate, flawed, wounding, and vulnerable.  When asked why he pursues his craft, he states quite simply, and with a slight air of defeated resolve: “I have to write. I have to write. I have to write.”

Writing in this instance is an undeniable need. This is a need I understand.  For me, writing is a way of being in the world, of living, seeing, and making sense of it all.

I was once warned of the potential hazards of becoming an “academic gadabout”. Ironically, at the time this warning was issued, the speaker in question – a rather somber, but well-meaning academic Dean – actually used the wrong word. She advised me against becoming a “Gadfly”, though I’m in no doubt she meant “Gadabout”, as it became very clear that from her perspective, being a “Gadfly” (a person who annoys or criticises others) is preferable to being a “Gadabout” (a person who flits from place to place, thing to thing). The notion, it seems, is that it’s okay to ruffle feathers, as long as you only ruffle the very same set of feathers relentlessly, and without deviation.

Well, where’s the fun in that?

Not one for warnings or omens, I have happily embraced my “Gadaboutness” and it has brought me much joy, and is in fact a key feature of my preferred genre as a columnist. Far from the confines of academe, I write about any and everything I will! From sausages and oysters, to probate and wills, to Shakespeare and stage history.

Question 4: How does my writing process work? 

“If it be madness, yet there is method in it.” - Hamlet

Process? What process?

This is the greatest thing about being a columnist. To quote Shakespeare (yet again!): “The world is mine oyster.” Everything is source material - ‘the story’ is everywhere. So really the process begins with observation. Seeing, but seeing in a different way. Not actively “looking for the story”, but always, always being open to the story.  Being a sponge is also important, and goes without saying. Being brave, fearless, and a bit mad. Not being afraid to put your heart and soul on the page.

In terms of practical mechanics, when I was actively working on my monthly column (sniff, sniff!) the deadlines were precise and tight. I work well under pressure, so it helped to have that relentless drive of “It’s due, it’s due!!” The perfect day would be sitting out on the deck, basking in the sunshine, with a huge mug of Assam tea, thinking – “What shall I write about this month…?” 
(Those were the days. *SIGH*)

I am/was constantly making notes, scribbling and blogging is indispensible. (Though I’ve been very very remiss in that area of late.)

But thank you, again and again, to Jenefer Heap for nudging me back onto the screen!

Now, without further ado, I’d like to introduce you to three of my writer friends who I've selected to carry the baton for next week’s Blogging Tour...
Caroline Barr

Blog: "Ask A Busy Woman"

Caroline Barr has spent a lifetime in marketing and public relations, plus 4 children, husband, dogs, tennis playing, rugby watching, and golf learning. She has just completed her first novel. Her superbly titled blog, "Ask a Busy Woman" is centred on her life in Yorkshire. 

***********************

Lady Harriet Hamilton

Blog: Lady Harriet Hamilton
We own and run the apley estate in Shropshire,  a 8500 acre working country estate where we opened apley farm shop in 2011, Apley walled garden in 2013 and 3 apley holiday cottages between 2007-2012. I do the marketing, pr and advertising for those businesses,  as well as focussing this year on the Apley archives. 

My blog is principally to write about anything going on at Apley as well as some personal blogs too, as it's very much a family business. The farm shop site has 9 businesses and the estate itself is also very Multi facetted, incorporating rented properties, shoots and farming. 

************************************************************************


The Girl Behind the Wall

The Girl Behind The Wall

Blog: My Mending Wall

As a survivor of abuse and neglect, I am on a journey of sorting out the whys and hows. My life began in the midst of turmoil, but will end in peace and serenity because I choose not to be a victim, but rather I choose a journey of healing the unseen scars of my childhood.

03 January 2014

Ties that bind

Without a doubt, pregnancy has a way of focusing the mind.
During this period of creating and shaping new life, my thoughts have returned repeatedly to the concept of "Family". A concept that also features quite prominently -- in good ways, and bad -- this time of year.

Living, as I choose to, far from my biological family, I ever reminded and reassured of the vital importance of our "families of choice" -- the families and communities we choose and create for ourselves.

These associations and attachments and made openly, freely, fully and honestly, and serve great purposes in our lives. Connecting us to a larger and far more dynamic world, than the often tiny society of shared DNA.

Several years ago, whilst on a great Shakespeare adventure in Alaska, America's most vast and sparsely populated state, I was adopted into the Eagle Clan of the T'lingit tribe. A world of away from my rough-and-tumble New York City life, I'd immediately felt at home with the people of Yakutat, a lovely, remote fishing village in southeastern Alaska. The feeling was apparently mutual.

Today, a parcel arrived from my tribal sister, Inga, with Eagle Clan gifts for the DEB, Baby and me in advance of the new arrival. It included 3 Eagle feathers - one for each of us, as a reminder of our lineage. And, the most adorable pair of hand-made baby moccasins you ever did see!


I cannot wait to share with this child how loved he or she already is by a remarkable, extended global family.




08 December 2013

A new DEB?

 That is - a "Darling English Baby!

We are expecting - due next month! 

33 weeks, 1 day and counting!

19 weeks Scan
               

Testing the waters - The Second Sunday of Advent

As part of my vocation discernment process, I have been assigned on a "mini-placement" at lovely parish not far from where we live. The church, St Mary Magdalen's, has an outstanding lady vicar, called Charlotte, who is a real dynamo! She's visionary and very inspiring, yet calm, and down-to-earth. Charlotte offered me the opportunity to give a sermon during this Advent season, and today was my big day.

When she first suggested I preach, I panicked. "What, who me?!" was my internal response. But, it felt cowardly to say "No, thank you." And, an opportunity for growth and exploration to say, "Yes." Planning and prepping the sermon as difficult as I'd imagined it would be.

Unlike my 'day job' teaching/lecturing on Shakespeare, where I have a regular, captive audience at my mercy for well over 3 hours at a stretch, and feel as if I could push the metaphoric "Play button" in the back of my head, and discourse at length on "Auto-pilot", I felt a real constraint in this process. It felt comparatively like so little time, with so much more important information to communicate and express. It also felt more delicate, more precious. A real privilege and honour.

The texts for this Sunday, the 2nd Second Advent, are centred on John the Baptist - not the easiest topic to cover, as far as I'm concerned. But, I gave it a shot. And, the feedback was very positive and supportive. (The congregation had been warned it was my first sermon!) They are a really lovely parish, very warm, friendly and diverse, with a good range of ages and constituencies: young families, singles, kids, older people, etc. And, of course, my "high church, Episcopalian background" set me up with a good foundation for pitch, tone and style. (Thank you, St Luke's!)

Toward the end of the service, we sang "Whom Shall I Send", an old favourite hymn of mine from my Catholic university days. It felt as if Fr Labran was there, wishing me well and saying "Well done."
- - -

Sermon for 8 December 2013

“Voices in the Wilderness”

“In those days John the Baptist came into the wilderness of Judea proclaiming, “Repent, for the kingdom of heaven is near.” For he is the one about whom Isaiah the prophet had spoken: “The voice of one shouting in the wilderness, Prepare the way for the Lord, make his paths straight.’”               (Matt 3: 1-3)
I don’t know about you, but I have always found John the Baptist more than a little intimidating. I recall quite vividly seeing Franco Zeffirelli’s iconic film Jesus of Nazareth with Robert Powell as a gently stoical Christ, and which featured Michael York as a heavily bearded and severely bedraggled wild man, John the Baptist.

Even at the tender age of 10, I was struck by John’s courage and conviction, his willingness to sacrifice himself to proclaim the Good News, but I also felt a deep sense of discomfiture and unease with his missionary zeal, his rather aggressive methods and tactics. I remember feeling embarrassed and deeply uncomfortable watching John berating and humiliating Herod and his wife, Herodias, publicly for all to see and witness. If this was a chief example of Christian evangelism, it was indeed a tough one to follow.

Undoubtedly, we can, in equal measures, be both inspired and overwhelmed by the examples of saints and evangelists, past and present – such as the 20th Century martyrs who bedeck the Great West Door of Westminster Abbey – whose extraordinary lives were each characterised by a fearless faith, and the same courage and conviction.

However, courage and conviction have their place in the small moments of life as well. We are not all called to die for our faith, or to eat locust and honey in the wilderness, but we are called to live with courage and conviction, and to proclaim the Gospel of Jesus Christ with passion and purpose. How we achieve this is as unique as we are, in our own individual circumstances and situations.

I believe the great Christian thinker and writer, C. S. Lewis, recently honoured with a plaque in Poet’s Corner in Westminster Abbey, provides us with a very useful example. In 1941, C. S. Lewis took on a commission from the BBC for Christian advocacy to present “a positive restatement of Christian doctrine in lay language” for the average man. Lewis was the perfect man for the job. His voice, described as “one part Belfast, nine parts Oxford”, was one of compassionate and sensitive authority. More important than his elocution, was his sense of himself as a “fallible chap speaking to other fallible souls”. This came across clearly over the airwaves, offering listeners the requisite combination for conveying the “awkward seriousness and strangeness of Christian faith”: Lewis possessed a tangible sense of ordinariness, coupled with the possibility of transfiguration.

Lewis was more than acutely aware of his audience, and the incredible need to “meet them where they were”, in the wilderness of his time. His wartime audience, huddled around their wirelesses, amid sirens and rubble, in streets of ruined houses, hearing the nightly bombers overhead, were seeking a cosmic world view that not only spoke to their experience, but also enabled them to make sense of it. His words reached hundreds of thousands, and then millions of listeners, who soon became readers.

For it is, of course, through his writings that most of us – particularly in the post-war generation – have come to know and love C. S. Lewis. I remember encountering The Chronicles of Narnia, and particularly, The Lion, The Witch and the Wardrobe as a child: roughly around the same period as seeing Zefirelli’s Jesus of Nazareth. The incredibly produced animated film brought Lewis’ timeless characters to life. I remember weeping as I’d never wept before at the demise of Aslan, and the joy and recognition I felt when he returned from the dead. “It’s Jesus, in disguise!” I remember declaring quite vividly through a surge of pre-adolescent tears.

The beauty of Narnia, and the magic of his portrayal of Aslan, lies within Lewis’ bold and daring attempt to recreate profoundly and viscerally  – on the page or screen, for readers and viewers of whatever age – what is like to encounter and believe in Jesus Christ.

As Former Archbishop Rowan Williams put it: Lewis’ gift lies in making fresh that which is thought to be familiar. Sharing the “Good News”, he says, is not so much a matter of telling others what they have NEVER heard, as much as it is persuading them that there are things that they have NOT heard, when they think they have heard it all.

This leads me back to Troublesome John. What can we learn from John the Baptist? What were the key features of his ministry: Purpose, Preaching, Passion, and Personal Witness. These are the hallmarks of every evangelist – of whatever variety or style. John’s essential message in his preaching was: "Repent, for the kingdom of heaven is at hand!" (Mt 3:2).

Rather tellingly, the word “repent” in Greek translates as: “To change one’s mind.” That, I think is the central point of evangelism – to offer others a fresh perspective, a new way of seeing or experiencing the Love of God.

And so, what about us – in our modern day wilderness of cynicism, strife, corruption, commercialisation and overarching secularism? Not many of us would be drawn to a life wearing clothes made of camel hair, eating locusts and honey, whilst hurling admonishments from the rooftops – although I do actually know a few people who might like to have a go! Similarly, we also may not be gifted with the quiet genius of a C. S. Lewis, to create volumes that inspire generations, or to produce a prolific flood of Christ-inspired words read by millions.

How can we, then, in small but substantial ways advance the Kingdom of God, to prepare the Way of the Lord, to be ourselves ‘Voices Crying out in the Wilderness’ of our daily lives?  

Here’s a small range of possibilities for us to think about during Advent, Christmas and beyond: -

* If you are sending out Christmas cards or issuing a Christmas letter to friends and family this year, why not select a religious themed card, one with a Bible verse, or add your own personal favourite Biblical text to your cards and letters. 

* Invite a non-churchgoing friend to the Carol Service or Midnight Eucharist.

* Saying sorry, and really meaning it. Unfortunately, this time of year can place us all under a considerable amount of stress. And stress can lead to grumpiness, moodiness, crankiness, and short fuses particularly with those nearest and dearest to us – spouses, family, friends or coworkers. This season, in addition to saying “sorry”, let us try making a real effort to change, and put an end to that kind of behaviour.

* Rediscovering Prayer. This Advent, why not commit to developing a more disciplined prayer life. We cannot overestimate the power of prayer. Praying for the world, praying for the Church, praying for others and praying with others. Resolve to pray with your spouse, children, neighbour, or a friend, if you’ve not done so previously. And, praying for ourselves: that God will give us the grace and the opportunity in the coming year to be “lights in the darkness.”

Perhaps, to alter slightly the words of Mother Teresa, who encourages us to commit “Random acts of kindness”, this Advent we could strive to commit “Random acts of Christianity.”

At the heart of Christ’s message is the unconditional and redeeming Love of God. We know from that oft-quote passage in Corinthians that “Love is patient, kind, &etc.” How can we put this into practice in our daily lives? This I think is more a matter of Being than Doing. Taking a grace-full – as in full of grace – approach to our daily activities and interactions.

 As C. S. Lewis once put it: Christianity is not what you say, it isn’t what you write, and it is not even what you believe. Christianity is what you do, because of what you believe. Life, for Lewis was meant to be in itself an act of faith; and prayer, a way of thinking and being.

Advent is meant to be a time of reflection and preparation, what better time then to pause and prayerfully consider the time that has been and the time that lies ahead – and ways in which we, too, are, have been and can be witnesses and heralds for Our Lord, voices, crying out in the wilderness.

Amen.